November 28, 2015


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I’ve been working together with Gwion / Tvb designs in a new abstract piece part of an upcoming new series of painting/installation.

For this ocasion we worked on the idea of an “Artificial biodiversity” mixing natural elements with new media, as a result we have done a piece combining assembled wood,  hand made glasses, LED, video mapping and painting.

100x120 cm
Acrylic on assembled wood
RGB Led 12v, Digiled/ Arduino UNO controller, Pico video projector Acer C205, Full HD media player, multizone led controller, Bullseye hand made glass

This piece was exhibited on Graffuturism exhibition part of the Urban art festival Amsterdam.


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November 19, 2015


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.Arificial microecosystem 1

Artworks inspired by the idea of a possible artificial microecosystem, mixing organic, geometric and abstract forms.

Artificial microecosytem 1: Mix media and collage on canvas 100x100cm
Artificial microecosytem 2 & 3:  Mix media and collage on canvas 40 x 50 cm


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Artificial micoecosystem 2 & 3

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November 10, 2015


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Quick shutter painted in Koenji, Tokyo for “Legal Shutter Tokyo project”. 2015

Last september I was travelling around Japan for a personal research project for an upcoming series of paintings.

During my days in Tokyo i was invited to paint this quick shutter by “Legal Shutter project” in Koenji neighborhood

Thanks to Taishi Nishihiro

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October 20, 2015


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Collaboration mural with Laguna and Emilio Cerezo, painted for CSIO Championship in Barcelona. 2015

Curated by Sara Catalán

Mural inspired by Don Quixote’s delusions, described by Cervantes in his book “Don Quijote de La Mancha”
“When life itself seems lunatic, who knows where madness lies? Perhaps to be too practical is madness. To surrender dreams — this may be madness. Too much sanity may be madness — and maddest of all: to see life as it is, and not as it should be!”
― Miguel de Cervantes SaavedraDon Quixote
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August 5, 2015


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The mural was painted during Street Meet at Mainfranken Theater in Würzburg (Germany). 2015

Inspired by an old photography took by James Lafayette of Sarah Bernhardt performing Hamlet around 1900.

Since the first time that I saw this photo, for me was really poetic, see in a photo a woman with really special life, intense, hard, full of difficulties and finally satisfactory life; performing Hamlet on the scene of the soliloquy “To be or not to be”

HAMLET: To be, or not to be--that is the question:
Whether 'tis nobler in the mind to suffer
The slings and arrows of outrageous fortune
Or to take arms against a sea of troubles
And by opposing end them. To die, to sleep--
No more--and by a sleep to say we end
The heartache, and the thousand natural shocks
That flesh is heir to. 'Tis a consummation
Devoutly to be wished. To die, to sleep--
To sleep--perchance to dream: ay, there's the rub,
For in that sleep of death what dreams may come
When we have shuffled off this mortal coil,
Must give us pause. There's the respect
That makes calamity of so long life.
For who would bear the whips and scorns of time,
Th' oppressor's wrong, the proud man's contumely
The pangs of despised love, the law's delay,
The insolence of office, and the spurns
That patient merit of th' unworthy takes,
When he himself might his quietus make
With a bare bodkin? Who would fardels bear,
To grunt and sweat under a weary life,
But that the dread of something after death,
The undiscovered country, from whose bourn
No traveller returns, puzzles the will,
And makes us rather bear those ills we have
Than fly to others that we know not of?
Thus conscience does make cowards of us all,
And thus the native hue of resolution
Is sicklied o'er with the pale cast of thought,
And enterprise of great pitch and moment
With this regard their currents turn awry
And lose the name of action. -- Soft you now,
The fair Ophelia! -- Nymph, in thy orisons
Be all my sins remembered.


For me this image is an icon of overcoming spirit of a person and always I wanted to do a personal interpretation of this photography

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photo by Besch & Euert

August 3, 2015


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This painting is part of my study of projection as a defense mechanism. The subject attributes to others their virtues or defects, including their shortcomings. This phenomenon operates in situations of emotional conflict, internal or external threat of origin, attributing to other people or objects feelings, thoughts and desires that they never quite accepted in themselves because they generate distress or anxiety.

As a result, the person can lose his real soul by trying to draw a new identity while looking at others distorting or redrawing their true identity in order to blend with mainstream society.

This painting is an inner portrait of our real hidden feelings, thoughts or desires; represented by our inner color and universe formed by everything that surround us, everything is part of us and we are part of everything, it influences us and makes us who we are.

Acrylic and collage on wood, 40x40 cm
Glass and plexiglass collage
LED RGB system 12v

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Artwork exhibited at PAIN/TING group show at Open walls gallery in Berlin

OPEN WALLS Gallery cordially invites you to PAIN / TING  - an international group exhibition in Berlin about pain - Curated by Juan Arata and 19 Karen Contemporary Artspace, showcasing a selection of 22 contemporary painters from all over the world.
Exhibition from 1/08 - 15/08/15
Participating Artsits: Blo (France- based in Berlin) / Jason Bryant (USA) / James Bullough (USA - based in Berlin) / Richard Denny (Australia) / Esther Erlich (Australia) / Danny Figueroa (Peru - based in Berlin) / Filthy the Bear (Australia) / Melissa Hartley (Australia) / Kate McCarthy (Australia) / Yosi Messiah (Australia) / Jennifer Mondfrans (USA) / Jaybo Monk (France – based in Berlin) / James Reka (Australia - based in Berlin) / Johnny Romeo (Australia) / Been Sheers (Australia) / Skount (Spain – based in the Netherlands) / Go Suga (Australia) / Clare Toms (Australia) / Hiroyasu Tsuri (Twoone) (Japan - based in Berlin) / Dan Withey (Australia) / Guim Tio Zarraluki (Spain) / Juan Arata (Argentina - based in Berlin)